Is Doctor Who ever to be allowed a bearded villain *without* people automatically assuming that it's the Master?NickMon wrote:Is it the Master next week?
The Dr Who thread
- Viscount Charles
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No! It's..Viscount Charles wrote:Is Doctor Who ever to be allowed a bearded villain *without* people automatically assuming that it's the Master?NickMon wrote:Is it the Master next week?
(Not Monty Pythons Flying Circusssss)spoiler wrote:
Peter Kay dressed like a pimp!
[Sir_LANs-a-lot]
Meat is murder.
Tasty, tasty murder.
Meat is murder.
Tasty, tasty murder.
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You just watch the one where roses dad dies didn't you....Purple Grapefruit wrote:What i really like about the new Dr who and its storylines,is as a fan, you can be a geek and blubber like a girlie.
I find it.......................... liberating.
I know I did..... i've seen it countless times now - and I blub every time.
Maybe it was programmed to keep* its nose pointed where it's going? It's becoming traditional to build that function into the control systems of aeroplanes that aren't aerodynamically stable so why wouldn't it be built into a futuristic spaceship, which apart from the weak effects of gravity-gradient and Solar-Radiation-Pressure wouldn't inherently have any stability at all? Note that the ship had artificial gravity (hairstyles and plot-relevant-not-tied-down-objects seemed to obey a pretty standard "1g towards the floor" rule) so they can probably manage automatic pitch/yaw stabilisation.Ollie wrote: Also, can anyone explain why the rocket turned around before being pulled back towards the black hole? Wound me right up, that did.
*In the absence of any pilot input to the contrary
OR maybe the front of the ship is really really dense compared to the backWumpus4x4 wrote:Maybe it was programmed to keep* its nose pointed where it's going? It's becoming traditional to build that function into the control systems of aeroplanes that aren't aerodynamically stable so why wouldn't it be built into a futuristic spaceship, which apart from the weak effects of gravity-gradient and Solar-Radiation-Pressure wouldn't inherently have any stability at all? Note that the ship had artificial gravity (hairstyles and plot-relevant-not-tied-down-objects seemed to obey a pretty standard "1g towards the floor" rule) so they can probably manage automatic pitch/yaw stabilisation.Ollie wrote: Also, can anyone explain why the rocket turned around before being pulled back towards the black hole? Wound me right up, that did.
*In the absence of any pilot input to the contrary
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want to read eye-wateringly bad stories? No? Ok.
want to read eye-wateringly bad stories? No? Ok.
Eastenders bit in Episode one of the two - when first going down pit Dr counters a line along the lines of "it'll all be OK now" (with "that's like saying this will be the best Christmas Walford has ever seen" or thereabouts. memory not 100% from last week I have to be honest!Snakey wrote: I also appeared to have missed both a Trogdor and Eastenders reference. How did that happen? Someone want to tell me, cos I can't be arsed to go looking...
As for writing on the table, not seen this week's yet but is it a reference to Vanessa Feltz in the first Celeb Big Brother?
SimonB
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Interesting interview here with Gabriel Woolf (voice of the Ood and Satan, plus the voice of Sutekh (and his brother) in Pyramids of Mars):
http://www.kaldorcity.com/people/gwinterview.html
http://www.kaldorcity.com/people/gwinterview.html
Well, I'm giving that a 10/10.
Yes, there were some weak moments. Doc, stop telling us how amazing we humans are, k? To name but one.
But, it got a big 'Woah' moment out of me when we saw Satan.
And the Doc's fall into the pit before that was aces.
And Jeffersons' death was pretty good.
Scene-stealer of the year has to go to Claire Rushbrook (Ida Scott) during her 'death' sequence. Top class stuff.
So, yeah, liked it.
Yes, there were some weak moments. Doc, stop telling us how amazing we humans are, k? To name but one.
But, it got a big 'Woah' moment out of me when we saw Satan.
And the Doc's fall into the pit before that was aces.
And Jeffersons' death was pretty good.
Scene-stealer of the year has to go to Claire Rushbrook (Ida Scott) during her 'death' sequence. Top class stuff.
So, yeah, liked it.
Finally caught up with the whole lot off the Sky+ box. Been a good series so far. I'd rate the Madame De Pompidour episode best of the series so far by quite a long way, but there hasn't been a stinker since the first episode (which was v. poor).
Last pair were a bit nicked off Doom, but there are no original ideas left nowadays...
Only overall criticism is that the Doctor doesn't feel quite imperious enough to me (I suspect it's the writing rather than Tennent, who is very good when he's being serious but still reminds me too much of the Hamster when he's kidding around), but I suppose since I grew up on Tom Baker that was always likely to be the case.
Last pair were a bit nicked off Doom, but there are no original ideas left nowadays...
Only overall criticism is that the Doctor doesn't feel quite imperious enough to me (I suspect it's the writing rather than Tennent, who is very good when he's being serious but still reminds me too much of the Hamster when he's kidding around), but I suppose since I grew up on Tom Baker that was always likely to be the case.
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IIRC, it was along the lines "I don't know, maybe that I haven't seen everything... "Ollie wrote:Did anyone manage to make out what the Doctor said when Ida asked him what he believed? After "I believe" I just heard an incoherent mumble. Also, can anyone explain why the rocket turned around before being pulled back towards the black hole? Wound me right up, that did.
As to the rocket, I put that down to an automatic correction thingy trying to pull it back on course. What I'd watch for in the Future is spaceships with windows that don't seem to be rated for meteorite strikes and bolt guns...
"Stars don't twinkle in space." - Char Aznable.



